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The installation is made up of several burnt pieces of fabric, arranged around a central chord, each fragment is unique, but along with the others resemble the remains of a once-was body, dismembered, each carrying the memory of individual suffering, yet part of a bigger pain. 

Do modern plastic materials and technology have an impact on the progressive destruction of our natural essence?

Or is it self-inflicted, part progress, part self-harm?

Medium: Watercolour on burnt artificial silk, rope

Dimensions: 280 x 140 x 200 cm

Year: 2018

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